Alien 3 Elliot Goldenthal

I try to take in a threatened trademark protection: Loud, blächerne, gruesome trumpet trills. For me, it has become the epitome Goldenthal`scher Action music. But it is precisely this fact accused the composer of imagination. I seriously wonder what is worse: If I do not only parallels but all identical melody moves to another work created by him hear while listening to the Aliens score. Not that I want to put the skills of a James Horner seriously questioned, but I can not hear, that the Aliens soundtrack is hyped as Alien 3 is always just as his little brother in the corner. What many certainly overlooked the fact that a film music acts as an accompanying agent in the first place. Sure - Horner has created a rhythmic and spherisches masterpiece, but I think works equally well Goldenthal`s score with the moving images. Even the opening sequence, which can hardly be pressed without a doubt in a recognizable signature is for me a brilliant, self-contained work, that its effects will not miss any event. My favorite tracks are "The Beast Within", "Lento", "Visit to the Wreckage" and Adagio. In a criticism I leave, Alien 3 would not "scary". Ever XXXXX 2 with Alien 3 - played accompaniment?!?! Alone while watching I got sweats. I hope no one takes me my inclination towards this horror masterpiece ill, but some should really be clear about that film music is not only for themselves steht.Man is asked where are the memorablen topics in this soundtrack. Counter-question: Where did they hide themselves in Aliens ???