The album is here again carried by a concept, the story of Agent Black and Co. continues summarized quite rocking opener Travel Guide. Whoever club hit expects to club hit here will be disappointed (Dubstep there also no). Yet there are some more upbeat pieces (Unforgiving World, Synchronize, timelessness) and the beats are again more present, than on its predecessor. Nevertheless, a clear development can be felt: The Wall of Sound mix (eg the wonderfully melancholic Silent Pain or Up There) with all their distortion pedals, echo and reverb effects are more pronounced in Stefan's great voice, guiding the different vocoder voices its inimitable atmosphere , In addition, the songs seem spatial through this stylistic device. Solely No Hope must be kept a bit of instrumental and experimental, what the mood but does not detract. I knew one of the best atmospheric title I've heard lately. Above all, these songs are the ones who score the same as Bad Dreams with his fat bass line!
Mastering was probably taken to make certain passages meaningful. Also Stefan's voice is thus more powerful than before, was this rather subordinated to the last albums the effects. I just like this momentum when at Face It or Shake-Up all discharges goosebumps. What remains to be said after a kind of Gothic-voice spoke the last words in the outro? Congratulations everything right (y). Now you just need a new TRON soundtrack of you!