Mir is now clear why SACD has no chance. As long as the producers succeed in bringing such musical sound garbled to the customer, there is no more chance for sensitivity and the clear character of the music. Using Loudness have been vermatscht to a flat pabulum all frequencies. Dynamics and voice are fallen by the wayside. For the car or the Kaufhausbedröhnung that's ok - for musical enjoyment, however, a disaster. Who wants to read about it in technical data can take a look at the comment. Although one must unfortunately note that the data are indeed bad, but not much worse than many of the products that are ranked in the charts. Tonal pearls gives it unfortunately less and less. As for Tracy Chapman times "Crossroad" or "Collection" is mentioned. When one hears in comparison, one notices the difference extreme.
The artist and the customer should finally put to defend against it.
Conclusion: Beautiful Music - poor sound due to intentional mutilation of any momentum by Loudness.
