The compositions are monumental, varied and interesting to listen to. of the recording technique produces the recordings are very professionally. So why the drastic deduction in the score? Quite simply: Here too, the sound was in the studio again sacrificed in favor of loudness. I just do not understand. Keeps us the music industry for stupid? Who I want it loud, then I turn up the knob. The Loudness, and thus curtail the dynamics and musical enjoyment just to loud to sound at the same volume setting than the other CD is Duch mischief. With a dynamic range of DR 06 this is well above the limit of decency good addition. Incidentally, all three works, Skyworld, Invincible are just as well as this present here works at the same crappy levels. But not only that, it's a lot worse than it looks at first. The peaks have been drawn up to asoluten maximum of 0dB and then still only get 5 to 6 in the dynamic range DR is really bad. This is reflected heavily on the sound quality down, as the album is, with its high degree of compression not only free from fine dynamics, details and any nuance. Nor is there suspense or internal logics of volume changes in the songs. In a sample editor, the songs look like massive blocks. Due to the rectangular appearance then one speaks of "brick-walled music". Since almost pushes each peak to the volume limit, it also leads to unmistakable distortions and clippings. The sound seems overwhelmed and hard. These catastrophic approach in the studio is absolutely identical to the other above-mentioned works.
Love Label: The boundaries of musical decency are exceeded. Let the music please finally air to breathe and hear at last on the loudness mischief.
I also must Finally, issue a warning: Clipping can destroy boxes, because it can lead to overheating of the solenoids. Sine becomes a rectangle. The thereby resulting non-linear cone excursion is the cause of untimely demise of Speaker chassis. From noisy start this Mach work so is not recommended.
