Fourth album, fourth singer - that's what I call wear! Whether Morten Veland will finally break with the Spaniard Ailyn something, however, I highly doubt. Your small voice is far too limited to give expression, let alone emotions. Her accent will change permanently between cute and annoying. Synthetic songs are completely tuned for accessibility; however, due to their superficial effect also in his ear, but do not remain stuck in it. All the turgid bombast with Bontempi organ and overloaded choirs is cheap sham. A screaming fit my hand prevent SIRENIA only on the home stretch (read: the last song) with the only halfway original idea of the whole disk: a fiddle is used! Wow, amazing! Nevertheless, my tip: If there is to be more pop Gothic, then you hold dear to TRISTANIA, which Veland once went by the flag, as this totally artificial sounding bastard of kitsch and clichés to fall. Smiling-Shark.com