No loops, no pattern, nothing trivial, which swells from the radio or running the club. Through-composed, slowly, slowly, but not slowly. Music for harmonious combo. An infinite series of modulations, changes of harmony. Apocalyptic Waltz & Tango reactionary. Then: solos for each instrument. Dark. Karg. Sparkling. The shocking absence of speed over long distances captures the listening attention on new terrain: Suddenly there are expressions in the game, the sounds of instruments that fall into the listening area and all have something to say: Statements relating to social studies. Unstirred truths about the world, the people dealing untereinander.Blick freely on diplomatic balls Gemauschele, envy and conspiracies among the most expensive chandeliers, then pitiful hostelries in fluctuating light bulbs lighting. Machinations in dark side streets, the dusky sky above cloudy. Then the mass of such activities. Trends pointed to suddenly break to light, be visible, change of power possible. The band remains unmoved and this alienated the stoic offered standard rhythms as sarcastic stationery for their obtained result. Music of a formation consisting of two thirds of wind musicians. Saxophone, trumpet, trombone, tuba and even a clarinet are and batting associations with the roaring twenties and the distorted acting, but very sharp-eyed painting of Otto Dix. By pure bareness, the drums about limited in the first half of the plate on pure Marching Drum Basics - drop me the bony songs by Bertolt Brecht and Kurt Weill, a, oddly enough, the same with twisted, death-stoic scenes from blue colored Aki Kaurismäki movies. Inclined to already massively twisted. A view from the top. Yes, it can also brass band music.
