Who expects "Gstanzln" mountain-Hymnengejodel or beery bluster march, quickly blown away by the power of a wild, literally blow-un-like "Brass Pop" -Lawine away.
The dialect of five cosmopolitan, international musical influences-using fellow makes less of incomprehension, because of jamming realization of how positively-grip but adapts the language from the Oberland Bavarian holiday idyll on the world stage internationally audible sound performance.
One would not understand, because the concerns still remain hanging when listening very carefully, the disturbing, enlightening constructed and composed pieces have a stimulating effect and continuing. So invigorating musical vibrations are conveyed in the body, so effortlessly demanding are the lyrics for an examination of their own - even emotional - past and present.
In all active inconsistency in sound expression has "overseas" a shore of peace and thoughtfulness. That and the honest-powerful but also sincerely-bawdy texts are a sign self-realized and -bewusster autonomy danceable-arranged Neuzeitmusi - in relation to a critically questioning mainstream hip pop, rock, hip-hop or other dance punk harmonies. The music of "La Brass Banda" is so quaint and daring and Bavarian world facing the same time, that it is better "scho almost never gähd". 11/2009, Redaktionsbüro Geissler Uli Geissler, a freelance journalist, Fürth / Bay.