Some getting used to the title track begins with Greek female vocals that are a bit annoying, but at the latest when the brutal riffs and heavy drums will use clear that this is an inevitable element of style of ROTTING CHRIST, the hypnotized you and transported to another world.
Mesmerizing is the riffing in the atmosphere brimming with Eon Aenaos. This comes up with another Greek folk elements, although a draw unmistakable common thread through this album, but act very rarely obtrusive. Besides Sakis' brutal shouts, appropriately styled backing vocals, choirs and spoken intros are repeatedly used the make the sound appear even closer. The journey continues and leads to the pounding About Track Noctis Era, which is reduced to minimum and it with a really hot guitar and eerie Lead Groove can live only ignite.
Then you dive back into antiquity ddie domestic and surprised with tricky rhythms and lieblichem female vocals in the background in dub-sag-ta-ke. And if you believe, it is no longer better, then comes as a Pir Thraentai therefore. What a monster! Thou Art Lord with the spine-tingling words ..now on the cross for you I Shall the .. I wanted to also mention, but if I do that, then other tracks have to be enumerated. But why? Aealo is a masterpiece in itself and should not be torn apart, but are considered as a whole.
ROTTING CHRIST have converted me with Aealo to their faith and showed that death metal and folk not equal Pagan must mean. This work is intense, violent, unique and innovative. From Black Metal no trace, but brutal, dark and deadly.