It blows again. And why does a meeting for new HRK album "purely Here, out there" about as much fun as when, even though such comparisons are of course. Are too different working methods and ingredients. But let's start at the beginning.
Starting point of the reinforcement, which manages time without Jörg Sander (wonderfully captured by Zoran Grujovski) who wants to release by 2015, was with "The advantage of the situation," an album of which was early evident that there would be a turning point. Too shallow, it was because it was not binding on texted, and with too much icing it was produced. In addition to "A hundred thousand roses" a single that came dangerously close to the core clientele of Ariola. Who Heinz knows a little, which was quickly realized that DGDs was not the album, with which he can live well in the long run. Too tight corset was that the panel took her breath.
How ironed DGDs was produced, the regular listeners presented then also on the tour fest where many songs were hardly recognizable with the aid of playfulness and schweißtropfendem charm.
The solar flux, the DGDs had gotten addition, from today's perspective was the way less of an issue. Also on "stone of heaven" is not running Heinz with the wrecking ball through the area. At least not only. But for that the songs have gotten a lot of fresh air. And so we come slowly on. Heinz has gone back to its core competence and screw its alignment offset a strong rotation in the opposite direction.
"SvH" is by no means the complete opposite of his predecessor, but the contemplation of self-confidence and vitality. The songs breathe. You have the wonderful depth of earlier times again. They give goosebumps. And they give a coherent picture. For example, a number is not hidden.
Probably was long no longer purely talked so little in a HRK album, whatever it was sure that Heinz had already made an elaborate pre-production with Peter Pichl, and therefore already stood with elaborate ideas on the mat that could convince the other parties. No round tables where ellenlang list were pushed around. No quota debates on the composer shares.
Incidentally Heinz wrote twelve of the fourteen tracks completely, an unusual amount of. For a band album, and favorable for the thread And the turns, especially the great sound of the plate. As fresh as just recorded on stage, but still ausgefuchst to the last detail.
In addition, the changes inside the house of the Sony Ariola for reviving RCA label is likely to have made a dash under the experimental segmentation fanatics wanting to press Kunze against all odds but still somehow the pop segment. It was all so allowed. And there was the production trio a sense of how to create a carefree Kunze, which you do not compromise whispers from all directions. Confidence arises when one does not call into question everything. And there was "Here rei, out there" of course a good teacher.
The opener is rocking the same time with the rough surface structure through the roof. Approximately as "suicide mission" at the time in "tailwind" broke into which even so was indeed a kind of awakening album. "Europe's Son" theme with deep, almost threatening singing the dangerous game of Operating tactically European critics, but then also explores patriotic gray areas out. Ultimately, the listener gets only a recommendation, a more nuanced to sound before nachquatscht slogans. The song has no chorus but wonderfully oblique breaks that would have been unthinkable on DGDs.
"Taking life" is a largely autobiographical number with plenty of puns that somehow a bit of "people go on" leaves dock, which nobody likes, please take it too seriously. I can not explain that.
For the first time we are experiencing in this song a whole new world. Although durchgetüftelt and produced to the point, it almost sounds like played live. No instrument forces itself into the foreground. Especially the keyboards so run by wonderfully unobtrusive that they can carry the song without sticking to anything.
Speaking of keyboards, here we can each guess who ever was at work there. Because in addition to the reference keyboarder Matthias Ulmer also draw Goran, Jens and Heinz responsible for different types of keys.
The single "Hello Heaven" is catchy and powerful, but acts not designed or calculated. About the strange text message with the detected only at very listening closely I had already referenced elsewhere. Who goes there now do not listen carefully to the lyrics will probably perceive as completely nuts. A line like "Hello Heaven, I gave you some soil brought" remains liable doubt. The choirs are getting used to because quite concise, but well done.
"The clown shouting fire", the shortest song, take a few passages. The number grooves like the sow, but is equipped with a rather simple melody. And of course, is also here, as is so often the clown of Stupid, which is determined exclusively on entertainment that no one knows the mischief that he really wanted to say. Guest guitarist Peter Weihe incidentally plays a completely abgefahrens solo and was afterwards somewhat surprised that other people are actually so well used.
The first ballad of the album you have to admit in their simple beauty first, while the title "Come little fairy" could well announce a children's song. But this is deceptive enormous. The lyrics are great, the song unfolds in the chorus under the whole heavens. So beautiful had "ice-free" may also be likely, if you would not have sunk production technology.
"Kisses under the dress" comes with a great intro, therefore, like a particularly good aged songs from the "whiz kids album. Delightfully nostalgic. And if Heinz asks" Will you give me another chance? "It's like the question to the numerous fans from the time of the great halls.
"Shame on you do not" is the next steep Gitarrentrocker whose subject was to be expected, but in the lyrical transposition not preferred the very fine blade. Reminds me of "Talkshow dirt", but musically pleasing. The message, however, seems like a missed opportunity, because a little conveys superficial. An angry Kunze, but with blunt weapons. The horny, but unfortunately a bit short guessed instrumental middle part should please go to the live implementation on the journey.
Since Christian Wulff is not mentioned by name by the way, and Heinz also places emphasis on the finding that the number fits on many people, I dedicate it now times Peer Steinbrück.
The second Ballade is the title track. Piano Born strings assisted, in the tradition of "I did try," Heinz is here with long sustained notes in the upper segment, that he continues to (or more than ever) has exceptional vocal talents. One of the numbers that fill the entire volume of small utensils, and little light in large halls. Innovative as the song is now not just, but that was not the plan.
"The truth of the victory" I arrange time as the last part of a trilogy, whose other components "front foot" and "where you stood with me" constituted. The song runs for some time as lone piece through, and gets more and more with increasing duration Folk, actually the iris logical number, but not actually recorded on the island.
As an individual work of art, perhaps the most impressive number because with the greatest wealth of ideas.
"Worldwide Fire" is the song for the phone in the house hold Heckler & Koch. Of course, aggressive and recited aloud, and garnished with biting sarcasm. Unlike "you ashamed not" fit each set here. The arguments of the defense technology producers fly like mockery by the boards ends Song. This time surprised, unlike in 'Shame on you do not "a discreet midsection.
Then comes my favorite. A dream ballad that starts his own business. "Luck is on your side" Jens Carstens wrote, and along with a great text about affection and trust (yes, even love) has become a shattering great song out of it. Flanked First of acoustic guitar, discreetly painted keyboards and restrained drums, the song is playing in a grand chorus, whose highlight a supportive mandolin is (hopefully there is ever a mandolin, it was album far clearly audible, and more than ever, with effects experimented) , Actually the number funzt right the first time, but then grows further with each pass. Could some distance move into the TOP3 my HRK ballads.
Really a dream.
We know the next number already. She was supposed to be relieved at KuK to be lifted for this album, and then appeared but on "We ask no yes". I was actually the opinion, not to do the nice, but unspectacular song on the album, but in a strongly altered Gewandt. The desperate dismay of Kuk version turns namely here in a quite sly song with much more headwater. The choruses are almost naughty.
"Expect little" is a philosophical digression, also with Irish twist. Enraptured relaxation and gruff restlessness here give the jack in hand, and who can not do anything with the name of Marcus Aurelius, the text but would like to get to the bottom, can googelnderweise ever read. The output of the instrumental songs would fit in wonderfully robbers civil program, and unfortunately too short.
There is my second favorite, who actually would be a nice single Finally. The lyrics of "It is a good life" documented again the HRK-specific strength to tell from entirely unusual positions out. In this case, submits an embryo why he wants to use the opportunities of its prvilegierten origin and environment. Abgefahren and beautiful thoughtful making. And actually, a soundtrack to the images around Lampedusa.
And that brings us through. And without feeling ambivalent regarding a further passage.
Rating 4.5 / 5
