To take the decisive that also quite turns chosen as wise the album name in advance: Who is a typical Limp Bizkit album, which is dominated by groovy pounding guitar riffs, funky raps and crazy beats expected, will be disappointed by results may vary be because there is actually only individual tracks by the usual style. However, if you look at the album alone for itself, one must say that it is all the volume extremely easy to find. It is from all previous albums, although clearly the quietest and melodischte, but during the 16 songs is very clear that results may vary has two key strengths, which ultimately allow it to turn out a lot better than the somewhat ambiguous predecessor Chocolate Starfish. Uncanny depth in music and lyrics (pleasing to the largely ridiculous texts of its predecessor) and an extreme variety, through which the disc from the typical diehard Limp Bizkit songs ("Gimme the Mic", "Head for the Barricade", "Eat You Alive ") over alternative- (" Underneath The Gun ") and grunge-like (" The Only One ") elements to classic rock songs (" Let Me Down "), emotional ballads (brilliant cover of The Who's" Behind Blue Eyes ") and very experimental and amtosphärischen songs ("Creamer", "Down Another Day"), it all has to offer, what your heart desires. Here, the new guitarist Mike Smith seems to be a real asset to Limp Bizkit because the band is now moving into new völig Leviathane not deter the true fans, but let unimagined musical and substantive potential to emerge. For my part I think the album is not brilliant, but very, very good. Especially because the band was brave and has corrected their style considerably. The best songs are clearly Loenly World, Head for the Barricade, let me down, Gimme the Mic and Behind Blue Eyes. The bonus disc with excerpts from the forthcoming "Poop" DVD has been very unterhatsam. For real fans anyway a must for everyone else the album title applies.