And that means in plain language: "On-the-face" with -Punchlines unverbesserlichem and well-tried Street sound. Notable four contributions there to report this time from DJ Premier, while MoSS favor of other Beat tinkerers shorter occurs. Though when viewing the dahingeschissenen Covers pays little motivation, ie engage in what it and starts with two Premo tracks that have demonstrated an so rock-solid foundation that you has no doubt that Mr. Premier exactly even in 50 years, the same beats is rooms. In surprise the "Soundcheck" another Big Shug as if it were 1998. Big Shug's Delivery is neither graceful, fast, yet high technical standard. But if this gentleman strikes once, then thoroughly - Shug's like Freddie Foxxx, only without the comedy mature Rhymes - and tortzdem one takes him at his word. Of course, it still requires the right sounds - which is given here, and is the equivalent to Shuggys rape. In the end you are always entertained, usually more and sometimes less well. While you will be beaten in "Bring It Back" with baton-Drums and has no choice but to nod to sneak up with tracks like "Murdapan" few Langweiler a. The only launch on the album is "123 Bang" whose hook smoothly could apply to Dämlichtkeit the year and with a lovely part of Bumpy saves nothing.
Conclusion:
Scroll to a time when more and more artists head first into a wading pool of abstruse experimentation or euphoric "Bring Real HipHop Back" slogans, it is certainly not wrong when artists stay as Shug unchanged at that for which they are appreciated - and therefore have to return anything. This album is neither a revelation nor is it innovative or otherwise "new". But certainly none of Big Shug expected. What could be expected, was exactly what "Other Side Of The Game" also provides - unfussy Street sound without any dilution, by which this album is spared entirely, and what it stands ultimately on the bottom of many other albums.
