Pure Pop-pearl - pure Eighties

As the debut of Madonna appeared was sure no one realized that these small, medium attractive Tanzmaus would become the biggest pop star in the years ahead. But even then, her talent is visible, to be of popular producers tailor a sound that is always groundbreaking. And so this album is a beacon in a time when punk, rap was just dead still in its infancy and the neonkühle Achtzigerattitüde only on upfront.
"Madonna" is, even more than "Like A Prayer" or "True Blue", pop in its essence. Simple melodies that milling immediately into the brain, this stripped arrangements, extremely sparsely produced. Smacking Synthidrums, bubble bass and all sorts of then hip sounds. Above all sits the thin Mickey Mouse little voice of Madonna. Totally uninhibited, she sings her simple messages of happiness on the dance floor, the miracle of love and life as a big party. This is told in a level that even understand threes. Amazing that it is this naive reduction of embassies and the songs that make the album absolutely timeless. This has no depth, no ambiguous messages. Here it's all about one thing: turn up the volume, dance and sing along. This here is Madonna nor entirely unbeleckt of later marketing calculus, and that makes the charm of this album out.
The white probably the artist herself, is she still with "Confessions of a Dancefloor" returned to this very high-energy concept. Welcome Home, Madonna.