I always find "fun" and "interesting" to see that we had ...

For those who rave about this interpretation today are generally the same ones who swooned to previous versions and the pinnacle will come next.

However, I am quite agree on the fact that Giuliano Carmignola and the "Venice Baroque Orchestra" gratify us a new interpretation of great transparency and great virtuosity.

But that is not reason enough for me to throw away the sublime previous versions of Fabio Biondi with "Europa Galante" or Enrico Onofri with "Il Giardino Armonico". It is even extremely rich than having all these versions of high quality and I'm certainly not complain. And each of these versions is coupled with different concerti all very interesting.

Then "abundance of goods does not harm" and, rather than to extol a particular interpreter, I prefer to express my admiration for the creative genius of Antonio Vivaldi.