As exhausting as well as unwholesome, even as an acoustic insult I feel assembly line music musical performers from the category above-mentioned high in the sales charts of bustling, but not at this remarkable album of an artist for whom I myself whether their current predominant banality in their "creativity" never really interested, although me during her took place in the 70s beginnings opened up their artistic potential very well. Coincidentally become aware of this CD, I must confess, I never ever even dreamed would be able to imagine, even to buy a long-play by Mary Roos. I did it - and did not regret. A good, well thought out, artistically valuable album away any mainstream that does not dumb down, but wants good or niveauvoll entertain exists here. And comes naturally those who insist on usual easy-mundane fare, on the head. Here you have to listen, sometimes even to think a little with-or. Unheard of, such a thing!
Who is not entitled to quality and Berieselns and Einlullens needs with banalities, is here surely wrong and gets easily in danger, to feel overwhelmed. Consequently, it should be but quite simply operate with representatives of the above mentioned category and can be non-stop assure in always the same rhythm that the world always "sky blue" is, leads through "each Bacherl a Brückerl" or to once again " too close to the fire "was staying, where you" 1000 times "which also did always possible.
Derlei nonsense has nothing to offer this production. To suggest, therefore, that it will remain unfortunately denied the mass effect of commercial success. The artistic success, however, is likely to be her safe. And that's why I like them, that's why she has a right to exist in a time when the musical incompetence celebrating everywhere unmerited triumphs and ambitious projects from monetary considerations are increasingly sidelined.
With this setting to be wrong here, I would be happy absolutely!