Is losgelegt with "Winding On Me", but when you hear the terrible losjaulen computer voice of Ron Browz at the outset, goes a pleasure again. The production is more than mau, uninspired and boring Beat hammering, to bored rape Joey Crack and Lil Wayne's Part one should rather call croaking. Something powerful pumps "Joey Do not Do It". By e-guitar riffs somewhat Power comes into the story, even Fat Joe raps biting, however, lacks the song a good tune or just the elements memorize, so you look even in vain for a hit. Unfortunately, it creates the voluminous rapper from the Bronx is not really, at last durchzustarten fully. Even the collabo with Akon, who's otherwise with its choruses some can get out of a song called "One" ripples only soft and monotonous in front of it, you realize even Akon that he seems to have had no great desire here. Who can make friends with R'n'B, which will finally find with "Aloha" a title that does not leave much room to complain. Although the very marked by synthesizer sounds and equipped with deep beats style is anything but new or imaginative, but very catchy and pleasant to listen. Joe raps motivated here, however, is expected to highlight the refrain of Pleasure P to be.
Unfortunately, those bright spots are few and far between. "Put Ya In Game" (feat. T-Pain & OZ) or "Congratulations" (feat. Rico Love & TA) can be even listen perforce, but here you can feel second to none that really put a lot of love and commitment were that the lyrics are hard to beat in irrelevance hardly relies on the whole nor the crown. It is partly a real tragedy as the thick Joe continues to create in old fans, who still celebrated Classics like "Twinz" to lose all respect. "Porn Star" is already so embarrassed that you would be ashamed almost alien. The instrumental has second to none the touch of eroticism, to say nothing of Fat Joe and his Auto-Tune distorted colleague Lil Kim. It has rather the feeling that aging stars with the formula 'sex sells' again want to cause a stir, but it is not possible. The driving bass and fat synths blow at "Cupcake" the dust from the subwoofer, finally again a decent idea and "Ice Cream" along with Wu-Tang member Raekwon and TA makes his smoothen sound and soulful melodies for some Balsam in the still very strained ear canals. The final stage of "JOSE 2" offers as you can already imagine, not all too much to notable pieces, only the final "Music" convinces with personal lyrics, an emotional and very nice to be consulted production and a singer named Cherlise that a wonderfully soulful hook blares and thus makes this song the best of the plate.
Sigh, sigh ... After this album, Fat Joe need not be surprised if it sold poorly and gradually come to the advice, with almost 40 years the micro slow times to hang up. Where its predecessor still had hits that rocked clubs and charts, has this here not to offer more than a few above average tracks, much trivial and even more for a ton. So much lack of ideas can be found otherwise very rarely. It's almost sad that a veteran New York delivers something and you can not even pronounce the fans buy recommendation.
