Comparing this recording as with that of Charlotte Margiono, the performance of Bartoli comes out even more clearly. They made very intensively, shaded by pianissimo from, affected by the design. There are beautiful songs that are sung beautifully, so Charlotte Margiono. The famous "Amarilli, mia bella" need anything but bare beautiful singing. It's a heart-rending appeal. This makes the Bartoli (also Rene Jacobs is great here). This recording is also evidence of the extensive training that voice that can play a variety of moods perfect, sad as ironically funny. Unfortunately, without this leading to a real withdrawal, the songs are accompanied only at the piano. Margiono eg sings this to a string quartet machining of pieces by Wim ten Have and A. Vinci and. This like much better. But what would a string quartet without the voice of Bartoli?
