First Quarter Moon

Otherwise, "Zaubermond" inflatinär- of everything too much. Why 16 (17) title? And from any one hears unmistakable Jean Frankfurter, from each second Kristina Bach challenges terrible! The melodies and Arragements are 85% simply whisked together remixes of two
Fischer first disks (but in spite of the same team even had its own character), the rest is a flashback to the middle-class compartment of the 1970 hit. In this way has already some Frankfurt artist who broke remained sticking to him "composed". That Kristina Bach possibilities are as a writer long since exhausted, we know for a long time. Finally, her own career has stagnated for years, but because having an attached shallow gaiety and wit just not decreases her as a woman of mature years this unassuming, harmless Trallalla without any draft. So it is no joy when such a good voice like Helene interpreted lyrically and thematically nothing but inconsequential set pieces of the last 10 Bach albums ... With a debut you could have blind eye to development of these weaknesses in the hope, but with the third album it is established as a singer and as first alarm bells should hit softly.

All in all Zaubermond is only one acceptable pop album. Sure, compared to other clothes in the market it's certainly not as good but it's enough out of or the one-eyed man among the blind Bergs and be whatever they're called? "Zaubermond" is simply not increase, but is rather the beginning of a path in the wrong direction with name irrelevance. It seems like too much of a good thing willed and not really skillfully.

For many, the question of a change of teams unsure raises. That would perhaps be hasty but a creative break could the team Frankfurt / Bach definitely vertragen- breath collect and allow new ideas. Is the music really well to get as a fan with a only every two years appearing album, because good music uses in hearing more slowly off and is not half the fun of anticipation?