The early nineties had Death Row Records pretty much all the homies from Dr. Dre and Snoop Doggy Dogg under contract. Except for one: Dre's half brother and Snoop's 213-mate Warren G. He was got signed as one of the few artists from LA from New York fashion label Def Jam Recordings, proving that even without Death Row Support Dre or Dat Nigga Daz an equivalent G can produce radio air album. Not only that Warren everything produced alone, he renounced also features his famous friends, with the exception of Nate Dogg. This is equal to the first song "Regulate", which actually comes from the "Above The Rim" soundtrack, with at the start. Everyone knows this classic West Coast, which consists of a damn groovy instrumental and incredibly transparent flows of Warren and Nate. Despite this brilliant tracks, is the best song of the album for me anyway "This Is The Shack". The beat is a little faster, still funky and the vocals are just Geil, although Warren G has only a cameo appearance by the unknown The Dove Shack. Really cool is also "Runnin 'Wit No Breaks". Again a slightly faster track at the Warren's chilling rape hit the slightly harder Rhymes of Jah Skillz and The Twinz. An ingenious combination. The same principle is also used for "Super Soul Sis". Tough and cool rape the unknown Jah Skillz mixed with Warren's casual flows, but this time on a relaxed funk beat. Actually, all the songs are really cool. Whether a little slower and chill or whether something more dynamic, it's fun to listen diesesn Ohrenschmaus because all instrumentals are so damn groovy and funky as it itself G-Funk Label No. 1 Death Row no better could manage. Similar to the Albums of Dr. Dre and Snoop Doggy Dogg is not only convincing the main act, but also the numerous Guest features, even if you have to "Regulate ... G Funk Era-" never heard of them big something. All who are on G-Funk and West Coast rap, come to Warren G's debut certainly not over, because it is on a par with other classics such as "The Chronic", "Doggy Style" or "Dogg Food".
