Julia Fischer's wonderfully mature, fine violin sings, floats, live, without the usual in other interpretations sometimes overly dramatic-powerful 'stains', her game is before the usual sovereign aufspielenden, wonderful sound sensual Tonhalle Orchestra rather slender, weightless, contemplative insistently in finely dosed vibrato; elegant noble romance that can also break touching feeling classic flowing gorgeous.
*) After temporary abstinence with regard to these two great violin concertos, I like this now very happy to hear it again, but they act by temporarily too 'transfigured', yes occasionally kitschy play some performers, adjusted highly enjoyable ...
Julia Fischer and the Zurich - perfect synergy, great harmony, elegant listening pleasure!
On The Edge:
Dvoáks publisher Fritz Simrock was the suggestion: If you want to write me a violin concerto? Legal original, kantilenenreich and for good violinist? "1879 Dvoák began his only violin concerto and it widmetes Joseph Joachim, who immediately recommended technical changes so soon was present a revised version at the JJ but until 1882 and responded to cuts and other Changes at the Berlin Music Academy 'internally' aufführte; until 14/10/1883 came the first public premiere at the Prague National Theatre, it played Dvoáks friend František Ondíek ...
Even Max Bruch dedicated his Violin Concerto No. 1 in G minor JJ. it was 1866-1868; JJ was a soloist of the first performance; he took on the design of the solo part influence .; a first version was ready for Lower Rhine Music Festival in 1866, the revised version ended break 1868th
