{~~} == # HILARY Hahn Violin ability: very sensitive, serious and dramatic ...

HILARY HAHN manages perfectly with this recording to give the listener a sense of seriousness and drama, which are contained in these two wonderful works of the violin literature. They interpreted very sensitively, in some places very discreet in her tone, then it takes the listener with its clarity and purity of intonation very expressive on the score approach, in other places enters her tender Violin for brief moments in the orchestral background from which they then again expressive intense emerges and then plays superficially very expressive with it. accompanying orchestra in an ever reciprocal game Here, Hilary Hahn adds in a perfectly harmonious interplay with the orchestra and conductor, resulting in a fantastic and very serious interpretation arises the need of nothing; Hilary Hahn dominated these two works technically and interpretative outstanding, phrasing and intonation she used precise, ie, false notes are - as otherwise usual from her! - Not be heard on this recording and their game "breaks" the works not in itself or pushes in front of the orchestra and the conductor.

And what a reproach to these so charming young artist to throw her those two terrible words "sterility" and "weakness" to the head! And it has long since reached the "violin Olymp" and "dine" with her big role model virtuoso Jascha Heifetz and other sizes of violin Olympus. That she has this magical place already climbed, showing their numerous recent recordings and it will also show all other recordings that they will release in the future!

Hilary Hahn has delivered with their style of play a maturity for a credible and serious interpretation, these two plants and their delicate, delicate nuances, and tonal colorations arise entirely their own personal way of looking at these two plants, they have their personal style, without appearing weak or sterile ! It is Hilary Hahn's own playing style to play in this kind of works presented here because it unnecessary flourishes and accents over no value sets - she herself does not push in front of the music. This may therefore not be regarded as "poor quality"! This violin note is their very own "trademark", where you clearly recognize their interpretations from those of other (less well outstanding interpreter of our time playing together with Hilary Hahn in a separate "League") may differ in a way that also Heifetz, Menuhin, fishing, mother & Co. - as they all play differently as outstanding or have played - always at their respective individual sound - their personal vibrato! - Can be seen. So Hilary Hahn has YOUR very own sound, you can be recognized by their own unique vibrato, which allows no excessive but preferred discreet (EUA) tone colors in which it finds its artistic expression and gives the listeners and their audiences. Because they play so, in my opinion, is due to their artistic convictions that are not prone to excessive tone colors and unnecessary expressiveness! Therefore Hilary Hahn would not deviate in favor of another way of playing of their interpretation and thereby presses YOUR dramaturgy of these two very serious works of violin literature Always handle your tone color that occurs always discreet but decisive seriously and sensitively in appearance, to your personal style from. Animates these pieces thus with their own character, just like any other interpreter and any other performer also do this same!

For this so wonderful and sensitive violin of Hilary Hahn therefore I forgive love to all five star and express my most recommendations it made!