Is struggling to be truly not the case with Pietro's first longplayer. The few planks compositions are, as always, flat and unpretentious, Production music with lyrics that make every of English powerful creatures as a poet look. In addition there are a lot of cover versions of songs that Pietro could interpret the theme shows and earned him much praise from "Germany's toughest jury". All this is, unfortunately, so carelessly and shockingly poorly produced that his ears could wish the hell. Let's be honest: Who needs already so cruel Mitklatsch versions of "Whatever Will Be, Will Be (Que Sera, Sera)" or "Do not Worry, Be Happy", especially as the originals at least three classes are better? Or a soulless warmed reinterpretation of "Can You Feel The Love Tonight", which is as far away from the original as Dieter Bohlen of a serious composer?
That it in "Germany seeks the superstar" exclusively to the rapid coal goes, our favorite Dieter has indeed repeatedly pointed out, hence the timely publication of this concoction. Musical claim has no place here, but that will always interest him give a damn. DSDS is a business worth millions and millions of viewers and CD buyers can not be wrong.