Minimalism and the power of silence: it was not so powerful, Dillons second album would be a depressant.

Even the Silence Kills This album two years ago was inspired by impressive sadness. Who grew up in Germany Dominique Dillon de Byington Brazilian got the blues, permanently, that's for sure, because even The Unknown is a single block Depressed awareness.

Now almost all the piano she intones her elegies, which are penetrated by electronically swirling sound foundations. Dillon is so quiet, caught up and fallen out of time on The Unknown that it triggers concern with their music. Only it is sovereign on an amazingly powerful way. Whether in You Cover Me or Into Deep, Dillon retained a respect triggering grandeur during their blown gloom.

How adequately to music matching, beautiful music video for the single A Matter Of Time illustrated: The Minimum, the barren in Dillons Music is a nakedness, a ruthless Seelenstrip, the strength and power is inherent. From the catalog of the best-known Berlin electro label Dillon projects fragile and vulnerable, yet pithy and concise out with a unhedonistischen, dance defiant sound art, of no use wants to be suitable for mass production for entertainment and it is likely to have difficult therefore. Respect yes, followers but The Unknown will cause only limited, just the stoic singing the petite Brazilian is still room for improvement, remain open points of contact.

MQ