I can not help but to score a comparison with the art music of the 20th century: Philp Glass t minimalist music, the use of loops. Katerine did the same. While this may be down annoying and seem to be the "foutage deg ..." but I would say estexactement in the same posture as musicians are composers of the last century: it propise something new based on emotions and not emotions where the classical canon of French song is over. This is exactly the same problem throughout crétif process: when we arrived at an impasse should we not burst the conventional codes? So is this conscious or unconscious on his part? Is visionary or a pure scam? It is time will tell. I personally love.
