The Naïve releases vion concertos by Antonio Vivaldi are followed and do not resemble. After Volumes 1 and 2 terribly disappointing (respectively assigned to the solo violin Enrico Onofri and Anton Steck), the label makes up for in his opus 3. This fourth opus, told the violinist Riccardo Minasi, proves the most successful of the series and supports comparison with fellow Giulaino Carmignola which since 1992, offers superlative interpretations of the violin concertos of Prete Rosso. Therefore welcome the prowess of Riccardo Minasi dominates each of these concertos with prodigious mastery that combines Instrumental virtuosity and extreme emotion to the point that one can not forbid to say that all this music flow naturally: the allegro of reserve beautiful sound combinations alternating clear oppositions between soloist and orchestra (extreme movements of "L'Amoroso" RV 271 are interpreted with an unprecedented surge of violence (as compared Carmignola seems wise) while the Cantabile is magnified by rare poetry). The perfect cohesion between the soloist and the orchestra bursts evident in each of these seven concertos.
Difficult for both the newcomer to the Vivaldian not to be swept up in the whirlwind of colors and contrasts.
