where Prinz Pi on his 2008 published album Neopunk still a fairly successful "Nerdhymne" writes to create a contrast to the ever-dimensional performing rap scene, including rebel without reason a song like "the new IGOD", which original not only by a Beat strikes, but bad battlerap in a fancy way to absurdity.
The musical, but especially the lyrical development of Friedrich Kautz is with this album preceded a wide piece. Sounded on the last albums that already there represented personal songs yet partly rather deliberately (except for the grandiose "you whore 2009"), so it creates the prince in this album, as he flowed with ease over the beats to create a lyrical depth which has no equal. This does not mean that the texts difficult to understand or are often in need of interpretation, but rather that the artist manages his stories understandable and at the same time moving his audience to mediate
This should be development in recent years and the relevant to Prince PI's. He manages profound, partly philosophical texts with life situations to link that everyone knows.
Skillfully he puts in songs like: "Three crosses for Germany" and "War @ Home" finger problems rather repressed in the wound a society than to engage with them and although the issues raised have already been addressed by many others, creates There the prince to interpret them in their own way and to stir up the awareness of the people
The only criticism is the middle of the album, which largely deals with women issues. Here one has the feeling that a song would it less well done.
All in all, however, detract from this is not the grandiose overall impression one gets when listening to rebel without reason.
Finally, the album the songs increase again noticeably. It creates the Prinz Pi "Atzenrapper" woman doctor who was present at Neopunk on the song "the edge II" to animate again rapping for decent.
"Dawn" with Mudi and RAF Camora offers very beautiful organ sound that creates a perfect atmosphere for the texts of the three.
"Laura" an extremely emotional reflection, when you can hear the feelings of the rapper jump almost from the headphones is another highlight.
At the very end speaks Friedrich Kautz from "proof against" against bad rap, counterplate and phrases against one-dimensionality.
This evidence has clearly taken up with this album Prinz Pi!