The problem with the woman's Schöneberg is that it has a presence on TV though, but does not have a profile. What she is now? Comediantin, actress, presenter or just a "celebrity"? As Comediantin she has enough facets, there is much more amusing fellow in Germany as a woman Schöneberg - that is undisputed. Does anyone remember at the absolutely superfluous Intermezzo on TV (Big City Fever), where it (in slow motion!) Through the city was sauntering any thoughts beads from the best? Back when the series "Sex and the City" was really popular, each celebrity in Germany thought to be sure to jump on this train. Suddenly there was on TV countless broadcasts, where semi-funny celebs wanted to comment on the events from this series (!?). This is precisely the problem with the woman's Schöneberg. Necessarily be present, stay in the game, be the topic of conversation. Now is the singing of the series. The album is a shallow mixture of pop, swing, pop and pseudo-jazz. Text default, the songs between clumsy (and naive) allusions, nursery rhymes move ("Fredy, my gelibter, sweet Fredy, please come quickly to your Mädi. Today I had just time, that would be 'but an opportunity") and even reflected irony. For the producer of this album, the word change seems rather to be a foreign word. Almost all the songs in the same style rippling as meaning only the tempo changes occasionally. Moreover, the whole album is very heavy clarinet, it's almost over seasons with this instrument. Vocally heard Mrs. Schoneberg in the category "modesty". That she can sing better than many excreted DSDS candidate, is uncontested, on the other hand her voice is incredibly thin, it hardly creates high pitched sounds, also the Stimmenumfang is merkmlich narrow.
In her song "Too ugly for Munich" it says: Sometimes I feel that I'm average. Self-fulfilling prophecy?
