take it easy

Wolfgang Hildesheimer beschriebt in his Mozart book this as an already evil owl and AMADEUS, we must look at how that looked well in practice.
Mozart as a joker, all the false Ernst was just cause for considerable mischief.

This is not a crossover recording. The vast majority of notes of Mozart, the cadences and the little improvisations make no difference.

This tone of loose Mozart meet the two like no other, no, more than any other or others. In the simplicity they hit at the same time Mozart depth. Mozart might loose, but not superficial.

This kind capture Corea and McFerrin perfect.

For me, an entirely indispensable recording.