TD with vocals - no revolution (more).

What is the fuss about the supposedly new TD-music style?
The current development TDs Beginning in albums like "Tyger" (1987 - with Jocelyn B. Smith as a singer) and (earlier) "Cyclone" (1978 - with Steve Jolliffe vocals) created. This time initially in other unnoticed consistent approach (TD with vocals) is here now again taken up - "Madcap" with male vocals and "Paradiso" with female vocals.
The "instrumentation" beside / behind the vocals is - just as with the previous, above-mentioned albums - simply classified as "up to date". At that time, the music was under the impression the styles progressive rock / krautrock / electric. Today just the chilligeren influences of ambient music can be felt.
In this respect, both fit "Madcap", and "Paradiso" exactly in the modern development of the best and one of the (in the Bohlen-impaired public) most underrated music projects.
Why are some of "Madcap" and "Paradiso" so surprised?

By the way: TD was a few years ago accused by many listeners that all listen to the same and did not contain any new ideas. Attack TD then on an old approach back and further develop, then some listeners are unhappy again. Even TD can not please all listeners right.
It can be seen in the critique another parallel to the albums "Tyger" and "Cyclone": These were in appearance as well (to put it mildly) controversial. For the majority of the public then they fell through (possibly the reason why TD this approach initially no longer being pursued).
However one looks at current reviews of these albums, whose bottom line is usually: "at that time misunderstood wrongly". This raises the question to me more: Recognizing the listener this time equal to what it is or you need back decades to the value seen in "Madcap" and "Paradiso"?

My conclusion: "Madcap" and "Paradiso" are merely more pieces of good music made by TD.