Who knows halfway albums Qxygene, Equinox, rendezvous etc., would immediately recognize without knowing the artist in 'chronology' the handwriting of Jean-Michel Jarre. It hisses from left to right and also leaves JMJ again rain down the acoustic Sternhagel. Even in the digital era of the nineties there are analog filtered sawtooth synth sounds with phaser effects. So all of JMJ, as we know it well. The special: this time everything sounds a bit fresher, more alive; even danceable (Part.8) is. Strikingly, the increased use of samples of 'Natural Voices' as woman vocal, brass, drum kits. My favorite piece is Part 3, which I find as beautiful as complex, if I try to re-enact the play on the keyboard. Master Jarre studied halt unlike me music ... 4 stars are justified.