TRESPASSING

Significantly different 'TRESPASSING' from its predecessor, which was recorded and produced in just two months, trying with a wide range of different styles of the hype about the exceptional talent of 'American Idol' to do justice.

Lambert has created an electric-disco-funk-rock-pop mix that clearly distinguishes itself from what it has to offer today's music industry. At the same time he gives us a very personal album, in which he handled the last two years. Lambert tries not to copy well-tried, but to create something new. And that's him 'TRESPASSING' more than successful '

"'I'm so excited for you all to trespass into my world and under my skin with this album !!! My Lightness and Darkness Collide on this one ..."' 'Adam Lambert (30.12.11)

"'Lightness' and' Darkness' 'is a concept that has been wonderfully converted. The album starts with the '' Light '' - page, which includes the tracks 1-7, all songs that you can not keep quiet the legs and is easily carried away by the rhythm. Starting with 'TRESPASSING', that sounds like a cross between Queen and Michael Jackson, a super funky 'SHADY' (feat. Nile Rodgers & Sam Sparo) and written by Bruno Mars second single 'NEVER CLOSE OUR EYES' to 'NAKED LOVE ', that somehow reminds of a Katy Perry song, but just fun and encouraged to sing along.
Not to be forgotten 'CUCKOO' (pure party), 'KICKIN''IN' (very bizarre, but class beat) and 'Pop That Lock' ('' factory, bitch "':)).

Then comes the unfortunately much too little attention first single 'BETTER THAN I KNOW MYSELF' (Track 8), the transition from '' Light '' to '' Dark ''. This is particularly evident by the accompanying music video in which Lambert shows that everyone has a light and a dark side, but can exist only if both sides are in harmony with each other.

The tracks 9-15 will eventually form the "'Dark' '- side where Adam his innermost feelings expresses, yet you do not fall into the classic schmaltzy ballads. Lambert starts with the sexy disreputable 'BROKEN ENGLISH', which makes a fan than a bit to smile; followed by the soulful, powerful voice 'UNDERNEATH' that goes on literally under your skin, and then the pace to attract the dramatic 'Chokehold' again before the quietly heartbreaking 'OUTLAWS OF LOVE' the conclusion of the ordinary Album ' forms version.

In the deluxe version (tracks 13-15) plays Lambert in 'Runnin' 'with his incredible vocal range and even added his fans so that in astonishment, brings' TAKE BACK 'again fast rousing pop song and is the grand finale, the quiet' NIRVANA 'as perfect ending.

As different as the songs are also, in its whole is 'TRESPASSING' a coherent body Album; quite different from "'For Your Entertainment' ', the wild thrown together had (I love it anyway!); which is probably also because of the fact that Lambert could take not only as a songwriter but also executive produced great influence on the development of 'TRESPASSING'.

I can only say: Listen, BUY and one of the most talented artists of today pay the respect that he deserves.