Norah Jones is a self-made woman, so she moved early in the jazz realm, in which they know to name their role models and influences, and finally to New York in order to attend all conform to the mandatory storybook career, her first CD " Come Away With Me "record, with date, more than respectable success in England is the CD for more than half a year in the top ten positions. Similarly enthusiastic Also the German jazz audience, even the celebrities such as Herbert Grönemeyer showed liked the young, dark-haired and very pretty singer. And I can understand one hundred percent this euphoria almost always Nocht not. To uniform seems to me Jones' performances, very dynamic and little virtuosity here is a song to the other to leave without a discernible thread strung. Then there are some pieces that stand out positively, such as the composition "Come Away With Me", in which Norah Jones' lascivious seductive voice certainly unfolds its full emotionality, of course, the beautiful single "Do not Know Why" or the Hank Williams cover "Cold Cold Heart". Her voice is certainly the most positive music, it has to offer this CD, a little unpolished and breathy, dark, not flashy, restrained, yet fully and sweetly in her own way. Stupidly is Jones' backing band, though occupied by good musicians, in my opinion, but then a little too shallow, and her piano playing and not bursting up with vitality and virtuosity, real jazz you rarely hear chords, sometimes even memories of Country come up, and so you wait then still clueless on the depth and wonders if there is not yet the Big Brother has gripped by the marketing campaign a little under the arms. At the same time this album exudes a blissful warmth that then too little makes it very special, what just one hand Jones' voice is not entirely innocent, but also, and here comes the second part of the story, just the always peaceful and comfortable companion. So you have to decide where you want to place the center of gravity so. Expected to draft, poetry and overwhelming sound density, so this is certainly the wrong CD. You expect but you ground up a sympathetic, warm and contemplative album for the Blue Hour with a glass of red wine and some olives can not really go wrong here absolutely.
