Here he combines orchestra, choir and solo voices wonderful. Some will complain that he (was to hear the first in Wagner's "Ring des Nibelungen" and later in Rachmaninoff's Symphony No. 1) Once again, the 4-note danger motif used and one of the issues a little like his "Glory" (actually but Prokofiev's "Ivan the Terrible") sounds. The really is that :-) ... But apart from that, it has become a fun and beautiful score. He knows the sound of the instruments and vowels best deal and who creates a fun and bombastic soundtrack.
Who the typical Still of James Horner likes and still stands on New Age, which will appeal to this score.