Unconventional, innovative, hard to miss

"Box-office poison" is different musically and content from its predecessors, looks more mature, tells of disappointed hopes and fears of loss and love. Precise definition eludes as its predecessor, this work of Rosenstolz. In which drawer can be an album stuck on which Pop, Trance and opera elements again find?

The absolute cracker of the album is definitely the cover of 'Total Eclipse "the 80 sounds at first hearing as a pimped relic. The vocal ranges where Anna R. moves represent an immediate loss of hearing to the ears. The second Listen then affects the whole as an operatic parody, but after the third and fourth Listen the song triggers a feeling of ... Operngeträller and boom-boom. Simply brilliant.