Enthusiastic about their international songs, in which thin, insubstantial little voice without any timbre expose embarrassing quickly as such and the woman Fischer interpreted terrific, I put this double album to me. First of all: The vocal qualities are also here at the top level and could be measured easily with most fellow English-speaking tongue. Were it not for an all critical barbs: The songs. Catchy and over long distances in the always same "boom-boom" -Marschrhythmus geschustert it may enable mitklatschwütige listeners in supreme delight, but remains flat, unpretentious and without reverberation, including the often trivial texts once the interchangeable song has died away to boredom place to make. One hears again until now and is intrigued when difficult to intoning international classics such as "Memory", "Big Spender" and Sondheim's "Send in the Clowns" sound, imagines himself in view of the art of this woman in an American Music Hall best blank - then quickly fall back through the complacent, bejohlte the audience "Bum-bum-bum", in which the brilliance of his voice has no chance to develop, in the reality. And that is - more than sad.
A talent bundle as Helene Fischer should in future focus on their skills and not on trivial Mitklatschliedchen of the unchanging blank, even if they thereby certainly runs the risk that it might lose some of their fans (which, incidentally, soon a new home for their needs at the Andrea Berg this republic could find). A voice like that is too good for such a shallow Terrain her and the villas "in the Schlossallee" Moreover, by no means calculated to the fast-paced music business the foundation for a long-term, fashionable trends defy could career lay, for Mrs Fischer really everything necessary brings - just not the proper repertoire of her voice that could bring this untapped potential to flourish.
To wish it would be all!