Actually, I'm more of a listener of classical occasion. Every now and then I listen to some pieces of Jon Lord. A Grand Master of the genre and unfortunately gone too soon. But - and here are parallels there - he is a mediator between rock and classical music.
Just like Jon Lord can be seen to combine the two styles of music together with David Garrett the endeavor.
Here on this album now typical rock instruments (guitar, drums, etc.) can be heard in addition to the orchestral instrumentation. A truly great mix that leaves its effect.
If you listen to the album you get a sense of the enthusiasm of the people working there.
Paganini was ahead of his time. If you have ever seen David Garrett classic live, so we know about the deep admiration for this exceptional violinist. In time frame from 1810 to 1840 his style of violin operation was enteilt the Zeitgeist. David Garrett has him (I think so) once referred to sometimes as the first pop star.
I am not a classical music specialist, but thanks to Wikipedia's at least a basic knowledge available. But if you listen to the album you already have the impression of lightness and joy. It equated with pop music I think is a mistake. It is a very beautiful music, beyond occurred paths - a hike between serious music and informal music-making.
Somehow fits Paganini (the devil's fiddler) also to David Garrett. Not only because of the instrument, but also because of the special position of his music in the prevailing society. An intense piece of music was pressed here to a blank disc, a purchase in any case value.
As for the bonus disc of the deluxe version so it holds certainly the high average. Here the orchestral performance of the Munich Radio Orchestra was worshiped. It fits the body of work and rounds it off. The film itself, I have not seen, but I will make up for it.