One may understand the album title and the first, dominated by drums track "Fuck Or Kill" as a political-critical, pointing to American states Obscene Gesture, but the sexual innuendo but then takes the upper hand. I connect with the Canadian born in 1968, exactly two things: long Achselhaarbehaarung (hopefully toupees!) And their aggressive-eccentric-provocative one-man show. No, it is neither erotic nor sexy in their changing and Ausziehwahn. But the "noise", which she brings forth the only present on the Bühen person is immense.
So what makes this lady in the unvermeindlichen pink hot pants and - if at all - black bra? She produced the two previous albums - in 2000, published "The Teaches Of Peaches" and the 2003s "Fatherfucker" - alone. And played all instruments of MC 505 drum machine synthesizer to itself. We recall that coming from the debut song "Fuck The Pain Away", which according with flying colors in the "Lost In Translation" soundtrack on and further glory withdrew. And at the lurid "Kick It" duet with pal Iggy Pop.
For "Impeach My Bush" Merrill Beth "Peaches" Nisker has brought a lot to change friends into the studio to Los Angeles. Especially Joan Jett ("You Love It"), Gossip's Beth Ditto ("Two Guys (For Every Girl)"), its former roommate Feist and Queens of the Stone Age's Josh Homme ("Give 'It") and ex-Hole's Samantha Malone (drums in different tracks). Produced it has the disc this time not alone, but with Mickey Petralia (Beck, John Cale, Dandy Warhols, Eels) and Greg Kurstin. The latter is primarily known for its mastery of electronic instrumental media.
For the Berlin-based singer eccentricity is a good feature, which can also be aptly applied to their music. Heavy, almost ponderous beats and a monotonous rhythmic chant breathe a "Tent In Your Pants" slow life. Drums and electronic soundscape drive increased very exciting and hard, the dirty lines of text giving of himself by speaking voice "Hit It Hard" to culminate in the following track "Boys Wanna Be Her". Underlaid like to climax with Stöhn- and Hechelgeräuschen here the rarely used electric guitar in an otherwise minimalist scenario. "Two Guys (For Every Girl)" is the icing on a dirty, because here is finally pronounced times what every woman secretly wishes ... With matching, dringlichem Elektosound which to relieve excess energy, dancing forces.
Nice change brings "You Love It," in which Peaches actually time singing, yes, sing! And easy-to-remember, three-word lascivious Zeiler cries out in skilful combination with leading rock guitar and jostling electro beats. The catchy metal track conveys probably a good idea of the aggression and ecstasies of their live shows. Thankfully, you can fall in the quieter, though not soothing, synth-dominated, last track "Stick It To The Pimps". The need to reproduce what this is, no longer exists. The woman has no other subject than rough sex. So who should be on the lookout for harmonious love banter, is definitely at Peaches at the wrong address.
Your compositional mix of electronic elements, rock, hip hop, punk and hardcore vaguely reminiscent of the electric Clash mixtures of Gonzales, Chicks On Speed or Pink Grease. Even more, it creates rather something wonderfully Standalone, does not like it. And not just with this album. Oh, big issue that is often discussed repeatedly in connection with Peaches (just not here): the much-vaunted and conferred gender identities. Your lyrics are, if this should be really worth knowing, discussed extensively in the Queer Studies at the University of Toronto.
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