A trend which was already visible in the album box-office poison stops: Increasing Komerzialisierung and the removal of the roots of their music. The whole album seems monotonous and the texts have lost much of quality. Sure there are a few bright spots with titles like "48 Stunden" or "day in Berlin". But highlights like "The sluts are tired" or "The cigarette after" one looks in vain unfortunately. Unfortunate way was Peter displaced completely from the musical spotlight and album leaves a very superficial and uniformed impression. As a longtime "fan" of Rosenstolz, one can only hope that the current swim in coming to an end and it has Rosenstolz may again for the loved ones for which they were once: Good music, beyond any trends and standards. The presented album reached most of the ephemeral world of the charts, correct fans can therefore not satisfy and will lose soon.
