Now the former high school friends Kev Nish, Prohgress and J-Splif Report supported by DJ Virman the next collective strike back. The one-sided (party) motto remains the bass are still dirty. And as the name says it all. The Smurf language is not dissimilar to miss the microphone protagonists not to point out that one is doing really to do with 'Dirty Bass'. Apart from the text, however, repeats the plate again provides exactly what one of 'Far East Movement' expected: the next soundtrack to excessive partying. In addition to the 'Stereotypes', is well-known producers such as 'RedOne', Sidney Samson and Martin Kierszenbaum have arrived. Thus, the sound is the playground of the Dance / Pop / electric screwdriver. The features again designated, some surprising. In addition to the already-proven chart collaboration with Justin Bieber (Live My Life), accompanied US rapper Tyga bass pounding opener. Pitbull counts as more as 'business as usual', but with Bill Kaulitz of Tokio Hotel had probably the least expected. 'If I die tomorrow' 'undermined the chorus with some pathos' is inflated as his fellow Song as bred Club number by Boxmembran. Breathers deliver more than the R & B beträufelte 'Flossy' (feat. My Name is Kay) or the relaxed 'Little Bird'. 120-128 BPM are commonplace. Time with slanted Saxobeats accompanied (Turn up the love) or with a Gigi D'Agostino Steal (L'Amour Toujours) fed. The course eludes any artistic claim handmade touch and not just offers variety, but it works again and comprehensive as Club Banger. Rounding out the the Party Rock Remix of the single 'Live My Life' (feat. Redfoo / LMFAO), as well as the two previous tracks 'Like a G6' and 'Rocketeer' delivers 'Dirty Bass' Disco compatible Strobo-peg with entertainment value.
Playing tips: 'Dirty Bass', 'Turn up the love' and 'Lights go out (go crazy)'