Christopher Young's first large-orchestral soundtrack

The score to "Hellraiser" Christopher Young presented his first big-orchestral score that the expectations placed in him ("Nightmare II") fully confirmed. He handles this effortlessly the symphony, it transmits its sovereign differentiated-calculated and sometimes mikropolyphonische musical language and used it deliberately broad paintings. The grim-ostinato timbre of the score is complemented by a rare burgeoning main theme. Once as elegiac waltz, a quasi Totentanz therefore, reduced to about chromatic variations ("Re-Resurrection") to the cluster compression ("Seduction"). That's for Hollywood proportions, manufactured consistently fantastic - a modernist score could not now be better. Especially Young has understood from the young guard was the only to develop an individual style that transcends carries him far beyond the eclectic style about a James Horner. Now we must only hope that his talent is not approved for wear.