"The Prince is back, he is now called King" - a pity that this is simply not true. After more than miserable last album "Teenage Mutant Horror Show" itself does my German hitherto favorite rapper returns with his street album "Time is money". The cover expresses what's inside: pseudo-cool appearance. To find a not dripping with self-praise track on the disc is just as difficult as good features. Pee praises in every track anew or by one of his comrades, who wish well to make it big by this disc, praised. The features are all poorly chosen, witch was part even at Savas` "Suck my dick" times. Praise Pee himself or his fellow grad times not, is pulled mercilessly about other rappers. In the long run very monotonous. Deepe texts with a little statement or even sense one finds indeed with KKFF or final stroke, but these are unfortunately the exception. Too bad, because the two tracks are really succeeded. This leaves the opener "idle" only hope good, because the rows are selected awesome, you feel, would Pee lost even after the piecework of 3 albums / half nothing from the original Super rapper. Intelligent Rhymes give successively the jack in hand. But quickly flies the euphoria - the next track could also represent a best called "Megadiss". Oh oh prince, even if your "Street Album" is only because you have again stoking strong, because your early days with "No Love" one searches in vain. Oh, and there's also a lot of skits, finally the album has a proud track ... but are all located around the topic sausage. The first skit is funny, the rest just annoying. The only bright spot: supermarket kiddies - here the self-praise does not bother, because it is well packaged. Conclusion: Miserables album with some bright spots. Because "only" a Street album we forgive this lapse and hope for more. As an encore to Mutant Horror Show it would have fit. Simon Hinz
