Crunchy pop album

I start times with the critical remarks on first. Recognizable is not consistent - I'll call it - identity behind. The songs are completely different in their structure. Good to remember that here are purely fudged same several producers. I also agree entirely with the opinion of some that here one or the other is overproduced. Gangbang begins like this cool that it's snowing while listening. And then converts the whole into a Geknarze that I thought while driving, the brake pads were down or the transmission could damage. Unnecessary mushy with no meaningful effect. Since it raises the question, what's the point. From this variety, there are still one or the other on MDNA.

But I would not have awarded four stars if not other, but what came out here would be great. A lot of the pieces is in fact quite simply great class. Whether hits like Girls Gone Wild (super sound with crisp spotless beats) or a little naive-sounding but for good mood spreading superstar. In addition to some other really audible pop gems (I Am A Sinner, Falling Free) especially the grandiose Masterpiece stands out. Yes, it takes a right. Bin that this is certainly one of the best Madonna songs ever. That Madonna has chosen 53 the dance floor as a retirement home, but I hope not really. Because maybe it should again take William Orbit for a full album as a producer. That they - especially vocally - quite the potential for mature results is yet to be felt on this album quite.

All in all I find MDNA not nearly as bad as it is represented here often. Maybe not what I would have liked to have heard of a more mature Madonna times, but was stronger than the worlds grottige Hard Candy, not to use on the addition to the driving Give It To Me.