Like him, I believe that this recording is primarily for Seejungfrau who returned here in its entirety (which was also never played, Zemlinsky withdrew twenty pages of the initial partition is likely to alleviate the performance in terms of duration and technical difficulties especially for the second table horn solo). One will discover there an extremely lyrical piece, often inflamed own generate enthusiasm and commitment of listeners and it is only deserved to put this version ever created light. The execution is very honorable, albeit with some weaknesses side first trumpet and clarinet, and enjoys taking his superlative.
The Sinfonietta, moreover inherently less interesting, suffers from its reduction to a training room and an embodiment where the limits of the orchestra are even more noticeable.