Quentin Tarantino's taste in music is at least as unusual as his films. Even if have crept on the soundtrack to "Volume 1" of his cinematic revenge epic a few familiar songs and melodies me a lot of the pieces in advance have been unheard of. The exotic compositions between hip-hop and rock are all Japanese at its best. I do have particular "Bang Bang (My Baby Shot Me Down)" by Nancy Sinatra, "The Grand Duel" by Luis Bacalov, "Battle Without Honor or Humanity" by Tomoyasu Hotel, "The Flower of Carnage" by Meiko Kaji and " The lonely shepherd done "by Quincy Jones. An outstanding highlight is clearly the more than 10 minute long version of "Do not Let Me Be Misunderstood" (Santa Esmeralda). Sitting still excluded! Ever: while listening to a rather steals the impression that they are dealing with the soundtrack to an elated-happy dance film, as a martial revenge story. But it is precisely this dissonance that (among other features) the originality and uniqueness of both "Kill Bill" - makes parts. The soundtrack in any case can be put safely into the cabinet each with a certain soft spot for "other" sounds. Brilliant!
