Style icon

Lady Gaga was still living in a trashy Europop bubble on her debut The Fame and looked like an artificial test-tube baby, whose very limited lifetime as a one-hit wonder soon also again draws to a close. However, on the extra-EP The Fame Monster she spins continue their idiom begun a transcendent icon. She embodies all that no longer get the fans of popular pop music in a world of casting Stars and reality shows. An unapproachable and versatile pop icon, the iconographic distort their image in constant metamorphosis itself. In her videos she dances sterile like a puppet that haunts externally controlled by strings in the form of a battered vehicle from the pop business in Robot Dance across the screen. Similarly, an artificial mannequin that has strayed from a designer boutique on the music stage. As if she caricatures the whole Britney and Miley of Popsternchenhimmels whose weal and woe depend on a drip in the music business. Summing up Lady Gaga as a fictional character on, you can find an access to this music, which does nothing more than to be pop music of the past revive in a hopeless affinity to retro sounds. Tessellated she takes individual recipes, tastes from this for quality and modifies it a little. On The Fame Monster Lady Gaga's music has become more mature. It is now more subtle, their music has been selected carefully and wider. "Bad Romance" has the distinctive hooks that were so typical of the 90s Europop and the float bathed in 80s synthpop Clash lines in the refrain stratospheric them. "Alejandro" is knotless Sweden Pop to hum along and stands in the best tradition of the hymns of Ace Of Base from the early 90s. "Monster" could be a later Kylie song. The groovy "Teeth" has the genius of Christina Aguilera's Groove "Can not Hold Us Down". "So I could happy that" copies the 90s Madonna and Freddie Mercury is awakened as Great Pretender "Speechless" from the dead. So Lady Gaga slips on the Monster EP in all these roles and channeled the already existing pop fundus in itself. Everything that annoys at the current pop music, this fictional character can cleverly left out. It is not an it-girl like Lindsay Lohan. You whistles on the lifestyle and his slick with beauty ideals. You dissed no people like Kanye West. They will not lead their private lives before in music, like Eminem does. The annoying beats by Timbaland will not find on this album as well. She does not reveal her personality, such as casting Stars are inevitably doomed. In a time where everyone is his intimacy publicly display, she creates the antithesis of an androgynous chameleons that can change his shape at will to the unapproachable. The fictional character Lady Gaga is the pop music reflect what they need, what Pop always lived and what casting Stars just can not embody: A polarizing and raunchy style icon that stands out from all others.