I, Robots Score

When a composer currently recommends for higher tasks, then it is probably the Italian-born Marco Beltrami. With Terminator 3, he created 2003 Action Core, which made her look old the set to music by Brad Fiedel predecessor. This year, he convinced with an action-packed comic book adaptation amazingly diverse composition to Hellboy. His latest work underlines its ambitions impressive: Within only two weeks, he had namely the score to I, Robot, a sci-fi thriller based on a short story by Isaac Asimov, finish.
Beltrami punishes all those lies that claim under great time pressure could no good or even quality arise. His composition turns out to be complex, charismatic thriller setting that links the play of the symphony orchestra convincingly with synthetic sound structures. Although the use of eleven (!) Orchestrators points out the conditions under which the music must have been, but while listening you realize it fortunately only slightly. The focus of the monothematic score is a striking main theme, which Beltrami developed from a germ cell in the "Main Title" and designed in many variations.
Review.
A special mention deserves the use of synthetic sound elements that are not used as a fad of modern film music or film alone relevant grandstanding, but to convince as an integral part of the composition. Therefore, the pure voltage accompaniment of some sequences instead provides idling effective sound layers. These are primarily the own Filmography Beltrami committed as well as the thrilling action pieces. So wakes I, Robot memories of his earlier music, he gives more working here with distinctive themes. There is no question here ripens a composer who developed more and more his own handwriting.