Somewhere in the Bregenz Forest in Vorarlberg country now cavort again 5 Blas-bullies who were involved like the mentioned bands instrumental in the creation or revival of the genre and is once firmly laid in the name Holstounarmusigbigbandclub for Fast moving HMBC.
Who knows HMBC was probably just like me carefully Youtube with your internet Hit Vo Mello to ge Schoppornou on you.
At this point, you have to add a note for all HMBC Ahnungslosen: How the quaint Niederbayer must act in deepest dialect on a North German so you have roughly the Vorarlberg in prime dialect work time from the rest of German-speaking country to all users of all other Bavarian dialects all to remain silent.
Guys respect that your pervades the I understood the first time a single word, but I worked my way laboriously through your vocabulary and now know your lyrics always appreciate with a grin.
Translated in High German means Vo Mello to ge Schoppornou nothing but Mellau up to Schoppenau and it is very close to that here at least one band member tells his own personal story: At the inn go out the lights, you find yourself on the road again with 1 , 2, 3, 4. tankard too much fluid in the blood and how to get now fucking middle of the night right from Mellau to Schoppenau? I guess a lot of the audience can sympathize here one of many found himself probably already in a comparable situation.
The song is, of course, the hit of the album per se. Comfortable and with reggae bonds drives in particular the Tuba these guys forego this benefit on electric bass (done correctly) this song forward, bringing the boys finally after 3 verses even after a long aberration home safely.
Towards the end of the album the band a radio version of the same song playing on again. Also succeeded when even sure done very well to the track is likely to be reported as bonus at the end of the CD certainly humorous and here and there re-arranged, but remains very same song.
Away from this acclaimed piece, there are also a lot to discover, uncreative the HMBC is not truly. The suffering of the commercial music so I interpret the processed directly on the first track. Vorreaßo, vorkouft, as louft is a number that goes forward and the whole season over of beatbox and Tuba worn while vocally active musicians obviously have a lot of fun.
This fleet number is again in contrast to already-called Youtube hit, there already other music from the album has one or the other probably expected, that was then more of a mistake or could be the album perhaps the musical class and Good abgewinnen -Laune music with entertainment value? And indeed: man is a creature of habit. And of course he also lives with his expectations. In this case, the concept of HMBC goes after a few times by listening to as well. The songs are not what one might have expected of you because of your biggest figurehead on Youtube, but they are fun, are incredibly versatile, sometimes getting used to - but never monotony.
What happened to the edelweiss I gave you last night? goes as 2nd track for a comfortable and easy beswingten Groove over and can now be augmented by flashing bonds to folk music.
But who wants to give the full folk music Dröhnung please hear once in the march of the forests. This piece is for me simply the proof that wind music can be classic and fun making can and observes a musical claim. In addition, it shows that the guys stand behind your roots and true to the motto that applies in and around the Bregenzerwald Meor ehrod the Ault, Meor grüzot the Nü. translated: We honor the old and welcome the new venture the musical balancing act. The gap between modern pop music and traditional material on Lieble is greater than you think, but falls on album length not so bad importance since one is anyway surprised by HMBC of song to song anew.
So the Happy Banana Joe is ultimately nothing more than the pure instrumental jazz, in which the skills of HMBCler is fully alive. By the time the tuba with great difficulty cutting the felt fifth high C, just to live out as an extremely successful solo-bass-Walk above times should only to then fall back comfortably in the low frequencies each have noticed that here everyone has mastered his instrument and everyone is having a lot of good humor in the matter.
In the last third album I was again surprised by Hold me down, right here funky tunes were again struck, between otherwise rather quieter pieces.
Pieces such as He-Ho or Trumpets everywhere are finally back more unusual instrumentals that distort the overall impression of the album complete again. Cheerful, light, funky, tricky, depressing all these impressions is to pack on an album a major challenge that has HMBC ultimately mastered very well. Only now and then you get the feeling that the album mix by this massive change of style is not quite from the same mold. The course has little to do with the quality of the music pieces. Therefore I would like to not throw in the pan with too much weight.
Of course, from me it a buy recommendation to all who are willing to even away from Vo Mello to move to GE Schoppornou on the paths of HMBC. The guys have a mostly balanced mix of styles with minimal weaknesses on album length. All musicians who know exactly what they are doing and why you are doing it, not least because it makes a lot of good humor.
To do a bit of air is as I said with regard to music Balance still up I stand somewhat in the balance, tend at the moment but rather for 4 stars without the great music degrade on Lieble but it's also a body of work which is assessed.
Nevertheless I am looking forward to all the other works of this extraordinarily creative Blaster Combo!
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