All musicians - and David Orlovsky in particular - play excellently on this CD. Whether composing skills while on that approach their art of interpretation is a matter of taste. Annoyingly so is the technical implementation. In half-normal acoustic environment, this is not good to hear. For more than 40 dB, the dynamic is partly with. Much too large. Actually, we need good headphones or absolute tranquility and a very (!) Good facility to perceive everything. So this record is an experience for people with elite technical equipment and time. one hour nothing (!) to do otherwise. I know in the SG mastering many works have been dynamically flattened and destroyed it. Here, however, there is the other extreme. And extremes are rarely the ideal situation.
