Nice score.

Marco Beltrami (3:10 to Yuma, Max Payne) is a new score back to the film "Knowing" and provides good orchestral music, which from time to time something is missing unfortunately. It contains 23 tracks with a running time of approximately 65 minutes. The soundtrack is generally pretty grim and kept quiet even if it is sometimes a bit louder so but the individual tracks are more restrained. In addition they are also played not very fast special increase the pace very slow or stay in the same speed. The CD is a bit strange, because it is not 100% gives a rhythm and melody.

The CD begins with the "Main Title" begins quite gloomy and slow. With many violins album begins and grows louder with trumpets and drums towards the end. "Door Jam" starts a little quieter and built by uneven playing the violins of the track on a little tension and musical goes in the direction of the first tracks. Here however it is not very loud, but still quieter. Finally, it is even faster and louder part. "John and Caleb" is a beautiful piano / violin piece that unfortunately only runs 1:59 minutes. It's a pretty quiet track. Then it goes with "New York" a little louder and especially Imposanter with trumpets and the beat from "Max Payne" on. Towards the center, it is very loud and generated at the well voltage.

"Not a Kid Anymore" is one of the quieter tracks on the CD again and something goes in the direction of track 4 except that the violin often be heard. "Moose on the Loose" is a fairly abstract track on this CD and sounds very much like a slightly older horror movie. Many trumpets and violins are used. I personally like this less. "Numerology" is again a little quieter and has been building as a few other tracks some tension and provide a well of "Max Payne". The hum what I I can not associate it unfortunately so really describe. "Loudmouth" heard louder and more exciting to the category and is a varied and action-packed track. "Caleb Leaves" is with about 7 minutes the longest track of the CD and provides a short summary of the CD with quieter pieces and something more powerful and these tend to come at the end. "Who Wants to Apple?" is a beautiful closing track with violins and trumpets and sounds very happy after these 22 tracks to.