Anyone who knows a little about white with soundtracks that Ramin Djawadi as the composer Steve Jablonsky and Henry Jackman is a hesitations Ling by Hans Zimmer. But none of it is so much room students succeeded stylistically to break away from his mentor as Djawadi. Where Jablonsky and Jackman in their scores for Transformers or X-Men still clear room roots out be heard and put a lot of synthesizer, acts Djawadis style fully self contained and detached and is clearly oriented orchestra. How Djawadis scores too Clash of the Titans and Pacific Rim forms as well as Red Dawn no exception. I am concerned with action scores every now and then so that one or the other track rather acts as filler - not so in Red Dawn. Djawadis music has through all 20 tracks through a beautiful dynamic basic structure, which is always very balanced. It's never been that rolls over a track and everything is to be the next act then pale. Each track fits together like a puzzle piece to a flawless overall composition, which is a nice contrast to the action works by Jablonsky and Jackman, although I also really like their work.