Lauryn Hill is said to have later on "The Miseducation of Lauryn Hill" that she wanted to write songs that lyrically they moved and would have of classic Soul integrity of reggae, hip hop and the knock of the instrumentation. You might also have said: The soul of classic soul. In any case, you can implement your ideas is fantastic. The CD is lyrical without currying favor from the beginning to the end or suck up because it namely also is with great integrity, and because it uses the aggressiveness of Hip Hop. If you compare the version of Ex-Factor of Beyonce with the original of Lauryn Hill, one finds great that Beyonce Lauryn Hill is good, but you also realize that Beyonce be liked their integrity for success or just for's sacrifice and the still did not understand. This CD is musically absolutely diverse: Reggae, Hip Hop, Soul, but also radio and tributes to Stevie Wonder and Roberta Flack. Great drumming - whether live or synth - even good guitar parts and especially fantastic polyphonic singing in lead and back-up vocals. I bought the CD 16 years after its release, because I have this scene in 1998 simply ignored, probably because I think hip-hop in general for kids stuff, so I'm letting far cheers the good or bad old days. That's why I can insert the CD each warmly recommend. This CD has to love you if you love music, especially if you love them as an expression of human dignity.